Wes Anderson. More like this. Watch options. Storyline Edit. Set on an island off the coast of New England in the s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down - which might not be such a bad thing. A tormenting and surprising story of children and adults during the stormy days of the summer of Rated PG for sexual content and smoking.
Did you know Edit. Trivia The dance scene on the beach was saved for the very end of filming, so that the two young leads would be comfortable around each other, and was done on a closed set just the two leads, co-writer and director Wes Anderson , and the cameraman.
Goofs The pilot of the plane incorrectly says the word "five" as "fiver". In standard aviation phonetics--NATO alphabets--the number "nine" is pronounced "niner", to distinguish it from "five", which is pronounced as "fife". Quotes Sam : I feel I'm in a real family now. Crazy credits During the final credits, Alexandre Desplat's music is vocally decomposed, like it was for the piece of classical music during the movie. User reviews Review. Top review. Innocent, beautiful and brilliant fun.
Despite the dreadful title, Moonrise Kingdom is simply wonderful. Since his flying start with Bottle Rocket and the triumph of Rushmore, I felt that Wes Anderson had rather tottered off a true path.
Moonrise Kingdom doesn't repeat that error. Despite covering ground Anderson's already visited to an extent in Rushmore, MK looks at a teenage crush with fresh eyes, and surrounds it with a fantastic cast of oddballs and misfits. Unlike his films where the characters are irritatingly quirky for the sake of it, these oddballs seem organic to their strange island home.
Star among them is Ed Norton as Scout Master Ward, who looks as if he's having the time of his life in shorts and woggles, in charge of a troop described as 'beige lunatics'.
Bruce Willis, Frances McDormand and Bill Murray all play their parts but never feel as though they're elbowing for the spotlight, which keeps the mood kind, befitting the hearts of all involved in the search for runaway scout, Sam, and his pen-pal, Suzy. Visually, it's a feast of saturated colour and fabulous design, but - as with the best of Wes Anderson - the devil's always in the detail.
The laughs come from minutely observed accessories keep an eye on the scouts' badges! And the soundtrack is a great mix of wistful Western and classical pieces. Definitely buyable. Anderson flirts with surrealism, but never gets Burtonesque, controlling his story with a firmer hand and to better effect. His situations might be bizarre, but the people in them are always painfully, wonderfully human. It's also a rare film - one you could watch with your grandmother or your grandchildren, with only a couple of moments where young eyes would have to be covered, and no real violence or swearing.
There is an overwhelming feeling of innocence and good will throughout. I loved it from the opening frames, and it only got better from there. BJBatimdb May 31, FAQ 5. What songs play during the trailer?
What is the song that plays throughout the film? Were children subjected to shock therapy in the s, as implied in Moonrise Kingdom? Details Edit. Release date June 29, United States. United States. Official Facebook Official site. Un reino bajo la luna. Box office Edit. Technical specs Edit. Runtime 1 hour 34 minutes. Datasat Dolby Digital. Related news.
In an interview beside the beach of the Carlton Hotel, Norton spoke excitedly about working with the director of such films as Rushmore and Fantastic Mr. Fox : "Wes is the definition of everything Cannes celebrates -- a real auteur. He's achieved that rare status of a person who has created an authentic world of his own making: within 30 seconds of watching his films, moviegoers know they're back in his universe. Moonrise Kingdom, a charming ensemble piece that balances richly stylized imagery with affection for quirky characters, certainly occupies the recognizable Wes Anderson universe.
Norton acknowledged the paradox of incarnating Anderson's droll tone: "There's a humor in his films that people love, but playing it is the opposite. It's all about the seriousness of the character's intention. The humor is rooted in characters so serious that they are funny. All the humor is sourced in the depth of the sincerity and earnestness with which they pursue their interests -- like my character's value of boy scouting.
They are lovable because they're so passionately committed to what we might call slightly Quixote-esque [pursuits]. Is it as much fun playing the single note of sincerity as it is to strum the "chords" of films like The Illusionist or American History X for which he received an Oscar nomination? I tend to relate to a character in terms of the arc: what's interesting is where he starts versus where he ends up.
The fun of it is getting from point A to point B. He praised Anderson's "vocabulary" in talking to his cast, "the power of articulation to get the actor to tune in to his frequency. He's good with the 'verb. Asked if it's more challenging to be directed by a visual stylist whose meticulous camera movements often dominate the scene, he replied, "No, the main puzzle of acting is intention.
The essence is finding interesting ways to express someone's intent. The emotional life is what the actor brings out. The bigger challenge for the actor in Wes's films is to strike the balance between whimsy and melancholy.
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